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He also was a good enough tactician to organize and lead a slave revolt that took the empire two years to crush. What little is known about the real Spartacus is that he was a Roman slave trained as a gladiator. All scenes, indoors and out, were filmed on a soundstage. Unlike those efforts, a TV series requires a lot more story. As such, writer, creator and executive producer Steven S. It can be argued that, because sex and violence were a big part of Roman lives, they should be a big part of a series set during the height of the Roman Empire. Still, the heavens offer a pleasant respite from all the evisceration on the ground.{/INSERTKEYS}{/PARAGRAPH} In the first four episodes, though, the only one worth watching is Batiatus John Hannah , who runs the gladiator school where Spartacus is alternately trained and subdued. The story became a book by Howard Fast and then a Stanley Kubrick film in starring Kirk Douglas. Andy Whitfield has the requisite physicality for the title role. The painted sky, which seems vibrant at first, soon feels as artificial as the shopping-mall ceilings adjacent to Las Vegas casinos. {PARAGRAPH}{INSERTKEYS}Actors Lucy Lawless L and Peter Mensah C , stars of the STARZ channel series "Spartacus: Blood and Sand", listen as executive producer Rod Tapert talks about the show at the Television Critics Association Cable summer press tour in Pasadena, California July 29, In truth, sand probably comes in third place, behind sex. Dangerously in debt, eager for patronage and wed to an ambitious woman Lucy Lawless , Batiatus is by far the most complex character in this gory stew. His goal is to reunite with his wife, Sura Erin Cummings , who also was sold into slavery and who makes occasional appearances in dreams and flashbacks. The series was renewed for a second season even before the first breast has been bared and the first head has been lobbed off. It was retold in in a USA film starring Goran Visnjic. DeKnight was not obliged to order fake blood by the gallons, even to the point of using the billowing red liquid as transition between scenes. He endures unendurable pain and bears unbearable sorrow, always without complaint.